The tech had just invited a resident to watch me taking my dose of radioactive iodine. I remarked that I was eager to photograph the pill. That wasn’t allowed–once the pill was out, it was going into me. No fun and games. We walked into a small room with a list of regulations on the […]
Roughly two weeks ago, Wolfgang Ernst came to Montreal. I missed both talks, as I was at the University of Michigan.* But we did meet up on Saturday for a visit to the Musée des ondes Emile Berliner, whose back areas are filled with old media technologies, as well as many versions of the His […]
(x-posted on the Social Media Collective Research Blog) In late March and early April, I attended three events that together signal some interesting shifts in thinking about music technology and sound. The first, a day-long symposium on March 24th I co-organized with Nancy Baym, was entitled “What Is Music Technology For?” It came after a weekend-long […]
Yesterday’s New York Times caught up with a story that’s been making the rounds of the internet music circles since Zoe Keating published her finances about a year ago: in many cases, Spotify pays so little they might as well not be paying artists at all. Sure, artists get fractions of cents in royalties, but very […]
Over on FlowTV, in which I consider the formatted characteristics of television: http://flowtv.org/2012/01/formatted-to-fit-your-screen/.
I had occasion to read the October 4th, 1968 issue of TIME magazine (Canada edition!) cover to cover last night.* There is something magical about reading periodicals from another era, where what we experience as history is rendered as quotidian life, and you get a glimpse of how your own moment, as it is rendered […]
okay, surprise, we’re back. I’m here in Los Angeles for the NEH/Vectors Institute for Advanced Topics in the Digital Humanities (and there’s something in the title about American Studies, but I’m here on Mellon money and don’t really count as an American Studies person as far as I can tell, so please forgive me that […]